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TRANSMISSIONS Series 1

23 Apr - 29 May 2020 | Thur 21.00 GMT / Replayed Fri 09.00 GMT

Our collective isolation highlights that all forms of community are now more important than ever, and it is vital that we find mechanisms to support each other through this precarious time. In this extraordinary landscape that we have found ourselves in, it is clear that many artists, writers and thinkers are having exhibitions, opportunities and subsequent fees cancelled for the foreseeable future.

In response to this, we are establishing a new project called TRANSMISSIONS.

This is an online platform which will commission artists to share their work within a classic DIY TV show format.

Season 1 of TRANSMISSIONS will run as six weekly episodes screening every Thursday at 21.00 and repeated on Fridays at 9.00 on Twitch. The 1st episode will air on the 23 of April 2020 which will be curated by Anne Duffau, Tai Shani and Hana Noorali. The subsequent five episodes will be hosted by invited artists.

Each artist included in TRANSMISSIONS will be paid a fee in return for their contribution. With a sense of community, all the money used to pay artists in season 1 has been kindly donated by established UK art institutions and commercially stable artists.

TRANSMISSIONS Season 1 is funded and supported by ArtQuest+DACS, BALTIC Centre for Contemporary Art, Oscar Murillo Studio, Somerset House Studios and Wysing Arts Centre.

Episode 1 | 23 April | 9PM
REPLAY | 24 April | 9AM
w/ Nathalie Djurberg & Hans Berg / Bruce Bickford / CA Conrad / Salvador Dali / Brice Dellsperger / Tessa Hughes-Freeland / Juliet Jacques / Sam Keogh / Jiji Kim / Quinn Latimer / Mark Leckey / Kalup Linzy / Sade Mica / Christopher Soto / Patrick Staff / The Cockettes / TV party / Unarius Academy of Science / Su Hui- Yu /// Curated by Anne Duffau, Hana Noorali & Tai Shani

Episode 2 | 30 April | 21.00
REPLAY | 1 May | 09.00
w/ Sophie Jung
Working across text, sculpture and performance, Sophie Jung’s work navigates the politics of re/er/re/presentation and challenges the reductive desire to conclude. Her texts unfocus on blurring scripted hegemonies and tap, hop, stammer and stumble over and across languaged powers. She employs humour, shame, the absurd, raw anger, rhythm and rhyme, slapstick, hardship, friendship and a constant stream of slippages. Her sculptural work consists of bodies made up of both found and haphazardly produced attributes and defines itself against the dogma of an Original Idea or a Universal Significance. Instead it stands as a network of abiding incompletion, an ever-changing choir of urgencies and pleasures, traumas and manifestations that communally relay between dominant and minor themes. Sophie Jung is invested in triggering a de-categorising of concepts and a deconceptualisation of categories and understands her approach to “stuff” – both legible utensil and metaphoric apparition – as an uncertain queering slash querying of historical materialism.

Sophie Jung (lives and works in Basel and London) received a BFA from the Rietveld Academy, Amsterdam, and a MFA from Goldsmiths, London. Recent projects and exhibitions include Sincerity Condition at Casino Luxembourg, Woman Standing at The National Gallery, Prague, Taxpayer’s Money for Frieze LIVE; Dramatis Personaea at JOAN, Los Angeles; The Bigger Sleep at Kunstmuseum Basel | Gegenwart and Block Universe, London; Come Fresh Hell or Fresh High Water at Blain Southern, London; Producing My Credentials at Kunstraum London and Paramount VS Tantamount at Kunsthalle Basel. She is currently working on solo exhibitions at E.A. Shared Space, Istituto Svizzero in Milan and Galerie Joseph Tang in Paris and works as a guest mentor at Institut Kunst, Basel.

Episode 3 | 7 May | 21.00
REPLAY | 8 May | 9.00
w/ Tarek Lakhrissi – Your world is already ending
Tarek Lakhrissi is a visual artist and a poet based in Paris. His works have been exhibited in Auto Italia South East (London, UK), Hayward Gallery (London, UK), Museum of Contemporary Art (Sydney, AU), Palais de Tokyo (Paris, France), Grand Palais - FIAC (Paris, FR), Lafayette Anticipations (Paris, FR), CRAC Alsace (Altkirch, FR), Artexte (Montreal, CA), Šiuolaikinio meno centras/CAC (Vilnius, LT), Espace Arlaud (Lausanne, CH), among others. He is a featured artist in the 22nd Biennale of Sydney NIRIN (2020).

Episode 4 | 14 May | 9PM
REPLAY | 15 May | 9AM
w/ Johanna Hedva – Tom Cruise Studies with expert guests Vivian Ia and Matthew Miller
Tom Cruise Studies is a meander of curiosity. There is no driving inquiry other than the question, "What's, like, up with Tom Cruise?" Hedva considers the various roles Cruise has played onscreen and in public, from religious zealot, to cocky upstart, to a man oppressed by his own masculinity, to couch-jumping love-nut, to an exiled actor who clawed his way back into Hollywood via a maniacal obsession with doing death-certain stunts. Joined by two expert guests, Hedva and Vivian Ia will consider the astrology charts of Cruise and L. Ron Hubbard, while Matthew Miller will share his theory that the Mission Impossible franchise is Cruise's vehicle for making public apologies to his ex-wife, Katie Holmes.

Johanna Hedva is a Korean-American writer, artist, musician, and astrologer, who was raised in Los Angeles by a family of witches, and now lives in LA and Berlin. Hedva is the author of the novel, On Hell. Their collection of poems, performances, and essays, Minerva the Miscarriage of the Brain, will be published in September 2020. Their essay, "Sick Woman Theory," published in Mask in 2016, has been translated into six languages, and their writing has appeared in Triple Canopy, frieze, The White Review, and Asian American Literary Review. Their work has been shown at The Institute of Contemporary Arts in London, Performance Space New York, the LA Architecture and Design Museum, and the Museum of Contemporary Art on the Moon, as well as featured in parrhesiades. Their album, The Sun and the Moon, was released in March 2019, and they’re currently touring Black Moon Lilith in Pisces in the 4th House, a doom metal guitar and voice performance influenced by Korean shamanist ritual.

Vivian Ia lives in Berlin. Their poetry is Pushcart-nominated and has appeared or is forthcoming in Bone Bouquet, Tiny Seed, The Gravity of the Thing, Fourteen Hills, and Berkeley Poetry Review.

Matthew Miller is a video director from Sacramento, California. He works in both live-action and animation to create short films and commercial projects. In the last four years, he’s directed a series of short films for The Getty Museum with artists and authors such as Ellsworth Kelly, Yo-Yo Ma, Mary Beard, Mario Vargas Llosa, and Ed Ruscha. He is currently in quarantine with his wife and Snoopy-esque dog, Millie, in Hawaiian Gardens, California, where he has been dividing his time between starting a garden and collecting ideas for a film project.

Episode 5 | 21 May | 21.00
REPLAY | 22 May | 9.00
w/ STRAWBERRY JAM: A LITERARY HOUR with Mykki Blanco Join musician Mykki Blanco for an hour of music and poetry readings. Spoken word, lyrical breakdowns, a presentation on two 20th century American literary figures Bob Kaufman & Mina Loy as well as a first time listen to new unreleased musical project.

Episode 6 | 28 May | 21.00
REPLAY | 29 May | 9.00
w/ CA Conrad with invited poets
CAConrad's latest book JUPITER ALIGNMENT: (Soma)tic Poetry Rituals, is forthcoming from Ignota Books in 2020. The author of 9 books of poetry and essays, While Standing in Line for Death (Wave Books), won the 2018 Lambda Book Award. They also received a 2019 Creative Capital grant as well as a Pew Fellowship, the Believer Magazine Book Award, and the Gil Ott Book Award. They regularly teach at Columbia University in New York City, and Sandberg Art Institute in Amsterdam. Please view their books, essays, recordings, and the documentary The Book of Conrad (Delinquent Films) online at http://bit.ly/88CAConrad

"CAConrad's poems invite the reader to become an agent in a joint act of recovery, to step outside of passivity and propriety and to become susceptible to the illogical and the mysterious."
--Tracy K. Smith, New York Times